{"id":2000,"date":"2026-02-13T00:29:05","date_gmt":"2026-02-12T23:29:05","guid":{"rendered":"https:\/\/www.giordanoviolins.com\/alla-triennale-di-cremona-eccellenza-confronto-e-passione\/"},"modified":"2026-05-11T01:19:15","modified_gmt":"2026-05-10T23:19:15","slug":"xv-cremona-triennial-two-weeks-at-the-museo-del-violino","status":"publish","type":"post","link":"https:\/\/www.giordanoviolins.com\/en\/xv-cremona-triennial-two-weeks-at-the-museo-del-violino\/","title":{"rendered":"XV Cremona Triennial: Two Weeks at the Museo del Violino"},"content":{"rendered":"[vc_row css=&#8221;.vc_custom_1574031663906{margin-bottom: 50px !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1778455151900{margin-bottom: 0px !important;}&#8221;]Two intense weeks in Cremona, over 300 instruments to examine for the XV Triennial: what might have seemed a true ordeal turned into a wonderful and unforgettable experience.<\/p>\n<p>Judging such a significant number of violins, violas, and cellos requires concentration, deep listening, and constant comparison. Each instrument tells a story of study, passion, research, and dedication. Entering into dialogue with each one is a responsibility, but also an extraordinary privilege.<\/p>\n<p>The work was made special by the human and professional quality of the colleagues with whom I shared this experience. A sincere thank you to Zheng Quan, Jan Strick, Guy Rabut, and Marco Nolli for the constant, serious, and stimulating exchange.<\/p>\n<p>A further thanks goes to all the staff of the Museo del Violino, impeccable in their organisation, and to all the competitors, colleagues, and friends present in Cremona. The Triennial is not merely a competition: it is a moment of international encounter, growth, and sharing that confirms once again that Cremona is the beating heart of world lutherie.[\/vc_column_text][mk_gallery images=&#8221;1819,1821,1823,1825,1827,1815&#8243;][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"<p>[vc_row css=&#8221;.vc_custom_1574031663906{margin-bottom: 50px !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1778455151900{margin-bottom: 0px !important;}&#8221;]Two intense weeks in Cremona, over 300 instruments to examine for the XV Triennial: what might have seemed a true ordeal turned into a wonderful and unforgettable experience. Judging such a significant number of violins, violas, and cellos requires concentration, deep listening, and constant comparison. Each instrument tells a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1820,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-2000","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news-en"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>XV Cremona Triennial: Two Weeks at the Museo del Violino - Alberto Giordano | Violini, viole e violoncelli<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.giordanoviolins.com\/en\/xv-cremona-triennial-two-weeks-at-the-museo-del-violino\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"XV Cremona Triennial: Two Weeks at the Museo del Violino - Alberto Giordano | Violini, viole e violoncelli\" \/>\n<meta property=\"og:description\" content=\"[vc_row css=&#8221;.vc_custom_1574031663906{margin-bottom: 50px !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1778455151900{margin-bottom: 0px !important;}&#8221;]Two intense weeks in Cremona, over 300 instruments to examine for the XV Triennial: what might have seemed a true ordeal turned into a wonderful and unforgettable experience. 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