{"version":"1.0","provider_name":"Alberto Giordano | Violini, viole e violoncelli","provider_url":"https:\/\/www.giordanoviolins.com\/en\/","author_name":"_giordanoviolins_1","author_url":"https:\/\/www.giordanoviolins.com\/en\/author\/_giordanoviolins_1\/","title":"The Great Survivor - Alberto Giordano | Violini, viole e violoncelli","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"xx7mNm2G9A\"><a href=\"https:\/\/www.giordanoviolins.com\/en\/g-b-guadagnini-1774-salabue-berta\/\">The Great Survivor<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.giordanoviolins.com\/en\/g-b-guadagnini-1774-salabue-berta\/embed\/#?secret=xx7mNm2G9A\" width=\"600\" height=\"338\" title=\"&#8220;The Great Survivor&#8221; &#8212; Alberto Giordano | Violini, viole e violoncelli\" data-secret=\"xx7mNm2G9A\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.giordanoviolins.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/www.giordanoviolins.com\/wp-content\/uploads\/2019\/12\/radicati-berta-1774_page_2.jpg","thumbnail_width":655,"thumbnail_height":900,"description":"[vc_row css=&#8221;.vc_custom_1574031663906{margin-bottom: 50px !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1577399555840{margin-bottom: 0px !important;}&#8221;] G.B.Guadagnini 1774 &#8220;Salabue&#8221; Berta&#8221; violin The Great Survivor \u00a9 Alberto Giordano, The Strad magazine, June 2014 issue. Giovanni Battista Guadagnini\u2019s 1774 \u2018Salabue\u2019, Berta\u2019 violin is an instrument of stark contrasts. Made near the start of the maker\u2019s Turin period (1771\u201386), it shows the influence of his Cremonese predecessors [&hellip;]"}